Selecting the Right Color Profile for Epson Scanners

This is Part 2 of the Color Management series.  For an overview of color management covered in Part 1 please refer to this link here.

To select the right color profile for your scanner first open the application that was included with the scanner. I have the Epson V700 so the application panel looks like this:

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To access the color profile settings click the “Configuration” or similar labelled button.

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Last step is to select the “Adobe RGB” target profile from the drop down list. And now your scanner is correctly color profiled!

For setting up Photoshop color profiling please refer to the Computer Darkroom tutorial.

Epson Perfection V700 Photo Color Scanner on Amazon

“Light & Shadow” by Daido Moriyama

Here’s another Daido book I picked up on my recent trip to Tokyo called “Light & Shadow.”

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It is the same exact size as the “Buenos Aires” one which is also a re-release.  You can refer to my previous post on that book here.

To be honest with you I have no idea how to interpret this book. It is a dense and constant bombardment of low-fi black and white images. But that’s exactly why I love it because it’s a celebration of just that: Light & Shadow.

From what I can tell, there’s no story or theme running through it but pure unadulterated visual stimuli of the black and white variety. It’s a great way to teach yourself to see things in their own context as pure graphic elements.

I can recommend this book without any reservation!

As much as I love this copy I do envy those who own the original version:

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For previews of the book you can check this link out here.

Other books by Daido Moriyama:
“Buenos Aires”

Color Management

I once posted this image I took to a forum only to have it rendered a ghastly greenish color on the screen.  One of the fellow forum goers gave me a few tips about color management and I’ve made sure since then that my colors are synched up across my workflow.  Here’s a little diagram I made to keep it straight in my head:

Color Sync Diagram

It’s actually not as confusing as it looks.  Color management basically works like this:

  • Each input and output device has its own ICC profile for color management
  • The arrows are labelled with the ICC profile which is in use by the device or software
  • You just have to make sure that the correct or preferred profile is chosen
  • Ambient light affects the way colors are perceived on your screen
  • So it is advisable to keep your monitor calibrated for the ambient light in your room

When you’re ready you should definitely purchase a monitor calibration device to keep things sorted. Here’s the Spyder 3 Elite on Amazon

It’ll only take you about 5 minutes to map this out for yourself.  For more details check this website out which has an awesome tutorial on color management: Computer Darkroom

Part 2 – Selecting the Right Color Profile for Epson Scanners

The always present Hadley Pro

[Update] Thanks to Noel Holland on L-Camera Forum for pointing out that the photo I posted previously of the Hadley Pro is in fact the Billingham 207.  I’ve now changed to the correct photo of the Hadley Pro but also included the previously mistaken photo at the bottom of the post for reference.

I made a commitment about a year ago that I would always carry a camera with me. And so far I’ve been able to stick to that promise with the help of a few bags. It took some trial and error to see which bag worked the best. Here’s a brief recap of some of the failed attempts:

The Soft Brief Case: Is probably the most inconspicuous option you can go for if you usually carry a brief case that is. However, it’s (literally) a stretch if you are carrying anything larger than a point and shoot. Depending on the brief case it does offer some camera protection especially if it is designed for computers as well. But I discarded this option because I could never get the lens to sit right in the bag.

The Man Bag: Yes, I even went as far as to try the dreaded man bag and started carrying my wallet and mobile phone in there instead of my pants.  Let’s just say it was an interesting experiment and leave it at that.  This solution actually increased the number of bags I was carrying as I needed a seperate bag for my notebook as well on weekdays.

And finally I tried a camera bag from Billingham.

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The Hadley Pro: Let’s cover the minuses first.  To those in the know it screams camera bag from a mile away.  So if you are worried about the mug-me-I-got-a-camera-in-my-bag look or self conscious about looking like a photo professional when you are not – this bag is not for you.  With that aside, the Hadley Pro is an excellent bag for everyday use with the added advantage of protecting your camera.  Here’s why:

  • The Hadley Pro like all camera bags has a padded inner lining for camera protection.  The lining can be removed for washing or for placement into another bag if you want a little variety
  • It comes with two large and two small dividers that you can use to customize your compartments.  This is great if you plan to carry more than one camera or have some spare accessories, lenses or film you don’t want sloshing about.  I have the space divided into three almost equal parts for either two 35mm rangefinders and a 120mm rangefinder or some combination thereof to include a micro 4/3.
  • Between the inner lining and the bag itself there is a small space that is perfect for either magazines, A4 files or you guessed it, a Macbook Air!  Of course any other netbook would fit in there too

Most camera bags of this size would be out of space at this point.  However, the Hadley’s got more space for:

  • Keys, mobile phones or any other item you would like quick access to in the two front pockets which are secured by snap buttons
  • Important stuff that you would like to store more securely in the zippered compartment on the back of the bag

If you’re a street shooter, the bags two straps can be left unfastened so that the cameras can be accessed just by opening the top flap.  If you’re not shooting remember to fasten the two straps cause I suppose it would look quite inviting for pickpockets.  I generally try to carry the bag in front anyways unless I have to book it.

One more thing: there are two heavy leather straps on either side of the bag that you can hang additional mini bags onto.

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Here’s the Hadley Pro on Amazon

“Buenos Aires” Daido Moriyama

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[UPDATE] Be sure to check out the book preview with sample images here

On my recent trip to Tokyo I picked up a bunch of photo books three of them by Daido Moriyama: “Buenos Aires”; “Light & Shadow” and “Erotica”.  I’ll first review the “Buenos Aires” in this post.

This 2009  edition is a re-release of a larger and more expensive book initially published in 2005 by Kodansha.  The original edition’s dimensions are 11.5 x 8.5 inches while this one being more portable and easy to flip through stands at 7 x 4.5 inches. Though cheaper than the original it is no less well packaged as it has an obi band and a softcover dust jacket.  The green cover you see in the photo comes off to reveal a darker greenish gray cover which on closer inspection is a subtlety printed photo.  All pages have matte finishing.

The book’s first dozen pages depicts sparsely populated streets and open spaces.  As it progresses the visual rhythm picks up and the streets get more crowded and frenetic activity starts taking over.   The restaurants and the bars become full with couples dancing – legs and bodies entwined.  Packed subway, cluttered storefront displays and a merry go round spinning wildly at night bring the book to a crescendo which then begins to finish the way it started.  Desolate streets, a pile of garbage and stray dog mark the final pages.

What I most appreciate about “Buenos Aires” is that it begs to be picked up and flipped through revealing new details and insights each time over the course of several readings.  It’s a great book for those who enjoy street photography whether Daido fan or not.

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Here’s the link to the first edition of Buenos Aires on Amazon

“Buenos Aires” Picture Previews