Ed Van Der Elsken’s “Een Liefdesgeschiedenis In Saint Germain des Pres” published by Dewi Lewis Publishing

First off, many apologies for the long absence.  Work and other interest have taken over my life of late.  A good place to pick up where I left off with photobook reviews is this svelte black and white beauty.   I picked up Ed Van Der Elsken’s “Een Liefdesgeschiedenis In Saint Germain des Pres” (henceforth SGP) at one of my paris haunts – the awesome photobook store – Comptoir de l’Image.

Walking into the store is bewildering because it is a veritable treasure trove.  But luckily the proprietor Michel is quite a good judge of character and makes very good recommendations.  Sensing my fondness for all things parisian he recommended SGP.  Ed Van Der Elsken’s photographs really captures the Left Bank bohemian culture.  The   images are held together by Ann’s “Love Story on the Left Bank.”  In the book we are immersed in her romantic world of artist and bar patrons.  I love it for it’s gritty realism which you don’t see much of these days in the age of digital imagery.  It is possible to fall in love with a woman made of silver halide.

Hope these iPhone images will motivate you to pick up the real book!

8FEE7AA0-579C-4041-BA96-427E2F953293

3E3E94CF-EADF-4B13-97A1-A55CC52FACE1

9DE2359B-F964-4856-85AA-64D16E42818E

4E3F15A1-B5B5-4AA1-86FE-8B0494C6534B

310E141D-8EAE-4C6D-9827-5E7AE69C185B

F86B4733-9B42-4733-AED9-56A454573A94

D80FF640-631A-4B60-9174-90576DCE3818

Amazing Weekend in Street Photography

Adventures in Photography's avatarInstacandid

I was absolutely stunned by the batch of strong photos posted this past week.  They’re amazingly unique images and represent a diversity of views from around the world.   The representative photo for this post was a difficult choice but the one below really resonated with me for its subject matter and composition.  Many thanks to all the photographers for sharing their works.  Please be sure to click on the “Reblogged from…” link at the top of each post to see more amazing photos on each photographers’ site.

Screen Shot 2013-05-06 at 10.19.59 AM

View original post

Koyaanisqatsi

“Koyannisqatsi” is the first film of “The Qatsi Trilogy”. The film is directed by Godfrey Reggio with Ron Fricke and Philip Glass responsible for cinematography and musical score respectively.

image

Ground breaking for its day, there is no plot or dialogue in the movie.   Koyannisqatsi consist entirely of synergistic music and imagery which is shot and played back in time lapse or slow motion.   The scenes range from the natural beauty of the Grand Canyon to the destructive power of the nuclear bomb to provide a breath taking critique on modern life which as the title suggest is a crazy and out of balance existence.

image

Some of my favorite montages in the movie include sequences from sausage making machines cutting to Grand Central escalators crowded with people at rush hour.  Or the ariel view of the city morphing into a microscopic view of computer circuitry.  These montages induce a hypnotic like trance in the viewer by going from slowmo to time lapse and back to slowmo all set to Philip Glass’ organically composed minimalistic musical score. 

The shots go from very formal composition such as the view of the stock exchange floor that has multiple exposures with ghostly trails of people going backwards and forwards in time.  To the handheld time lapsed street photography on the side walk.  The amount of fun the film makers had while making is translated directly to the viewing experience. 

image

Koyannisqatsi is a definite must see for all film and photography fans alike.  It will make you think twice about what exactly is important to you.  Godfrey believes that we are now living in the “host of technology” and freedom comes from knowing when to reject or embrace IT and not let IT determine how or when we use IT.  Looking forward to watching the other two films in the series and also seeing the director’s latest film “The Holy See”.
image

DISTANZ Verlag: Viktoria Binschtok “World of Details”

Photographs—Analytical and Emotional at Once 

The photographic works of Viktoria Binschtok (b. Moscow, 1972; lives and works in Berlin) explore the idea of visibility. The artist uses surprising displacements of context to examine which contents are transmitted within the firmly defined boundaries of the picture and which exceed these boundaries, being a matter of our own knowledge. In addition to her own photographs, Binschtok accordingly avails herself of the Internet as a no less fertile source of visual material. In her most recent series, “World of Details,” Viktoria Binschtok combines analogue and digital imageries. She begins by selecting New York street scenes from the vast archives of Google Street View, and then travels to these places to take her own picture of the reality she finds there. The reference images render streetscapes from a distance; Binschtok, meanwhile, expands on details, counterbalancing the straightforward photographs taken by a programmed automatic apparatus with what ultimately distinguishes man from machine: intention. In “World of Details,” Viktoria Binschtok not only visualizes how we see the world; she also goes beyond documentary photography without relying on the expedients of staging.

With an essay by Matthias Harder.

via DISTANZ Verlag: Viktoria Binschtok.